Home Recording New Primitive
As I write this, an M-Audio NRV-10 FireWire mixer is on its way to my location. The ball is officially rolling on my little project studio and my excitement to start clanking, banging, grinding and cackling like a madman in my own private laboratory is at its peak. So much so that I've spent a great deal of time looking at what I have on hand for gear and how it might best be integrated into my setup. Which brings me to this:
The Tascam Portastudio 424. It's an old 4-track from around the late eighties/early nineties. This was given to me a couple of years ago by my friend Thom who had it stowed away and then thoughtfully offered it to me when I expressed an interest in recording at home. Well, I just blew the dust off of it and have made it my mission to put it to use.
I, like many others, have a special fondness for analog recording. The debate over analog vs. digital is best argued by more qualified folks than myself, but my opinion is basically in favor of analog at least in terms of overall tonal quality. It's partly a romantic notion of the old way of making records, too. Lastly, it's a matter of so many of the records I love having been done with magnetic tape--the wider the better.
Still, digital has its obvious advantages and numerous strengths. No argument there at all. For one thing it's a hell of a lot cheaper. I just don't have tens of thousands of dollars to spend on a 2" tape machine. But that doesn't mean I can't spike my digital with a little analog, even if it's only 1/4" tape. That's where the old 4-track comes into play.
I'll be messing around with recording bass and guitar with the 424 and then importing into Sonar to mix with other stuff digitally. If nothing else it'll be a fun experiment and this whole thing is a learning process for me anyway.
I'll let you know how it turns out.
Labels: analog recording, audio, destroyer of silence in all its forms, digital recording, home studio, tascam portastudio 424






